Review Megathread: Venom
Rotten Tomatoes: N/A
Metacritic: 27/100
Written Reviews:
Entertainment Weekly - Chris Nashawaty
Venom isn’t quite bad, but it’s not exactly good either. It’s noncommittally mediocre and, as a result, forgettable. It just sort of sits there, beating you numb, unsure of whether it wants to be a comic-book movie or put the whole idea of comic-book movies in its crosshairs.
Can Tom Hardy play comedy – intentionally? The question remains worryingly unanswered in this clumsy, monolithic and fantastically boring superhero movie-slash-entertainment-franchise-iteration. The supposedly massive final showdown is so anticlimactic and pointless that it was only when it was followed by Hardy ruminatively sipping coffee on a stoop and chatting that I realised… that was it. That was the big finish. Hardy himself has said that the film’s best 30-40 minutes have been cut. At least that makes this shorter than it would otherwise be.
The Hollywood Reporter - Todd McCarthy
A significant problem in a film full of them is that Eddie comes off as a dope, an eager doofus hardly convincing as a boundary-pushing journo or someone who can out-think a titan of technology. Whatever his shortcomings as a journalist or a mate, the character needed a deep repository of intelligence and resourcefulness that is nowhere detectable; he's all Basset Hound and no German Shepherd. Hardy has always had a terrific screen bearing and presence, but this may be his least interesting role and performance.
Sadly, Venom suffers from the same lack of cohesion and rejects everything that might’ve turned it into a badass joyride in the vein of Deadpool or Guardians of the Galaxy. The result is a muddled hodgepodge that isn’t sure whether it wants to be comedic or take its troubled antihero way too seriously.
“Venom” is very much its own entity — one in which, for better or worse, a parasitic alien calls its host a pussy for deciding to take the elevator instead of jumping off a skyscraper and Tom Hardy jumps into a lobster tank in the middle of a crowded restaurant. This leaves the viewer with two choices: reject the parasite or let it take you over. Fight it off and you’ll have a bad time; become one with it and you may achieve a kind of symbiosis.
“Venom” is a textbook case of a comic-book film that’s unexciting in its ho-hum competence, and even its visual-effects bravura. Make no mistake: The effects can be dazzling. The alien matter splattering itself around like random tentacled liquid, the way Venom cross-breeds Spider-Man’s skyscraper-hopping agility with the Hulk’s dynamo destructiveness — it’s all diverting eye candy. But to what end? This gateway into the Sony Universe of Marvel Characters (get ready: there are 90!) may not sputter as badly as Tom Cruise’s “The Mummy,” but it could turn out to be a similar case of a franchise kickoff that doesn’t fully attain franchise liftoff.
The neither-here-nor-there plotting is matched by the wispiness of the characters, who rarely seem to have clear-cut motivations or anything resembling depth. And that’s what makes this film such an egregious misuse of a fine ensemble. Hardy is always mesmerizing, even when the material is less so, but in “Venom” he’s finally found a project he can’t overcome by sheer talent.
Submitted October 03, 2018 at 09:25AM by MoviesMod https://ift.tt/2NXgMBP
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