Spider-Man: Far From Home - Review Megathread
Rotten Tomatoes: 89%, with averages 7.4 out of 10 and 36 Reviews Counted.
TBD
Metacritic: 72 out of 100 with 12 Reviews Counted
Writtern Reviews
“Spider-Man: Far From Home” becomes an entertaining example of what we used to call “a summer movie.” You know, back before they started giving us a bright, loud comic-book adaptation like this (but rarely this good) on a weekly basis.
Spider-Man: Far From Home is great fun, filled with heart, humor and lots of cool stuff for fans to geek out over.
Ultimately, “Spider-Man Far From Home” turns all its intelligent themes into a triumphant story of self-belief for Peter Parker.
Spider-Man: Far From Home is about a kid with great power who is struggling with the whole great responsibility thing, so it serves as a satisfying second chapter in Peter Parker’s march towards adulthood and heroism. As the last movie in Phase 3 of the MCU, it works hard towards tying up the loose threads of the previous 21 films while looking optimistically forward to the twists to come.
“Spider-Man: Far From Home” touches all the bases of a conventional Marvel movie. It doesn’t take you out of this world. But it’s good enough to summon the kick — or maybe just the illusion — of consequence.
Owen Gleiberman - Variety (SPOILERS!!!)
Overall, I thoroughly enjoyed this movie and it might just be my favorite live-action Spider-Man film to-date. For those nervous about the future of the MCU because of the events that occurred in Endgame, don’t worry. This film is proof that the MCU has more stories to tell, and although we don’t have the heroes we grew up with, it’s comforting to know our friendly neighborhood Spider-Man will be there to lead the way into this new phase of the MCU.
In the end, I really didn’t know. Far From Home succeeds with an unusual, troubling virtue: The best parts are the most fake.
Darren Frainch - Entertainment Weekly
But without a proper, full-on villain, as well as an adequate substitute for Robert Downey Jr.'s late, oft-mentioned Tony Stark, this comes off as a less-than-glittering star in the Marvel firmament. It pales even more when compared to Sony's wildly imaginative animated feature of last year, Spider-Man: Into the Spider-Verse.
Todd McCarthy - The Hollywood Reporter
It’s not quite the home-run of Homecoming, but Far From Home isn’t far from matching it, with heaps of humour, energetic action, and the answers Endgame left you craving.
It’s a big, bold leap for Spider-Man into the future of Marvel’s films, and it’s got a strong upward swing that easily makes it one of the better Spider-Man movies in the character’s history.
In another self-reflexive move, Far From Home transfers the real dilemma back to the filmmakers: The character comedy is great fun, and the action spectacle often feels like their responsible burden.
Jesse Hassenger - The A.V. Club
So, yes, Spider-Man: Far From Home is funny and clever – in the end, Peter just wants to enjoy his class trip to Europe with the hopes of growing closer to MJ (Zendaya) – but it’s also a movie about both mourning and deception. Peter is still reeling from the loss of Tony Stark, who remains a specter wherever Peter turns. Peter’s emotions are raw, which also leaves him more susceptible to forces preying on his emotional state. It’s a movie filled with surprises (I don’t say that lightly) that leaves Peter, and a viewer, wondering who is real and who can be trusted. Yet it never feels like a movie filled with dread. It’s a hopeful tone, which, after the last two Avengers movies, is very welcome.
But the Spider-Man we find at the end of the movie is no different than the one we met at the start; he’s more confident now, and ready to accept a truth of his own design, but you can’t help but feel like he could have learned all of the same things without leaving Queens or wasting our time.
Throw in the earnest sweetness of Peter and MJ’s growing friendship, and Far From Home leaves us on as strong of a high as the low that its first act takes us to. That warm and fuzzy feeling makes it impossible not to think of how great a movie Far From Home could’ve been had it not tripped over its own feet in setting the stage, or unspooled itself from that tangled-up beginning. Because when the movie is at its best, it is so effortlessly engaging. It’s such a shame, then, that so much of the movie feels like (home)work.
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Submitted June 27, 2019 at 08:18PM by Sisiwakanamaru https://ift.tt/2xfw7me
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